| Title |
Composer |
|
|
The Lark in the Clear Air
|
Traditional Irish Air (Kathleen Nowlan - also known as The Tailor) |
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|
|
The Last Rose of Summer
|
Traditional Irish Air: Aisling an Óigfhear (The Young Man’s Dream) |
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|
|
Lead On, O King Eternal
|
Henry T. Smart |
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|
|
Lead, Kindly Light
|
John Bacchus Dykes |
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|
|
Leaning on the Everlasting Arms
|
Anthony J. Showalter |
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|
|
Let All Mortal Flesh Keep Silence
|
Traditional French Carol |
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|
|
The Liberty Bell
|
John Philip Sousa |
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|
|
The Liberty Song
|
William Boyce |
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|
|
Lift Every Voice and Sing
|
John Rosamond Johnson |
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|
|
Living For Jesus
|
C. Harold Lowden |
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|
|
Lo, How a Rose E'er Blooming
|
Traditional Melody, Harmonized by Michael Praetorius |
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|
|
Loch Lomond
|
Traditional Scottish Folk Song |
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|
|
The Lord's My Shepherd
|
Jessie Seymour Irvine, Harmonized by David Grant |
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|
|
Lord, I Want to Be a Christian
|
African-American Spiritual |
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|
|
Lord, I'm Coming Home
|
William J. Kirkpatrick |
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|
|
Lord, Speak to Me, that I May Speak
|
Robert Schumann (Melody from Nachtstücke, Op. 23, No. 4) |
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|
|
Love Divine, All Loves Excelling
|
John Zundel |
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|
|
Love Lifted Me
|
Howard E. Smith |
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|
|
Marching Through Georgia
|
Henry Clay Work |
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|
|
The Marines' Hymn
|
Jacques Offenbach (The Gendarmes’ Duet from Geneviève de Brabant) |
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|
|
Mary Had a Baby
|
Traditional |
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|
|
Maryland, My Maryland
|
Traditional |
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|
|
Masters in This Hall
|
Marin Marais |
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|
|
Meet Me in St. Louis, Louis
|
Kerry Mills |
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|
